kiddja:

Josh Reim
kiddja:

Josh Reim
beepme:

Compoboyhttp://teleman.cocolog-nifty.com/blog/2013/12/post-0bb0.html
beepme:

Compoboyhttp://teleman.cocolog-nifty.com/blog/2013/12/post-0bb0.html
beepme:

Compoboyhttp://teleman.cocolog-nifty.com/blog/2013/12/post-0bb0.html
beepme:

Compoboyhttp://teleman.cocolog-nifty.com/blog/2013/12/post-0bb0.html
beepme:

Compoboyhttp://teleman.cocolog-nifty.com/blog/2013/12/post-0bb0.html
beepme:

Compoboyhttp://teleman.cocolog-nifty.com/blog/2013/12/post-0bb0.html
mykindofimages:

Fragment of Seeking (1946) and The Wormwood Star (1955).
From The Curtis Harrington Short Film Collection, available thru Flicker Alley.
mykindofimages:

Fragment of Seeking (1946) and The Wormwood Star (1955).
From The Curtis Harrington Short Film Collection, available thru Flicker Alley.
mykindofimages:

Fragment of Seeking (1946) and The Wormwood Star (1955).
From The Curtis Harrington Short Film Collection, available thru Flicker Alley.
mykindofimages:

Fragment of Seeking (1946) and The Wormwood Star (1955).
From The Curtis Harrington Short Film Collection, available thru Flicker Alley.
mykindofimages:

Fragment of Seeking (1946) and The Wormwood Star (1955).
From The Curtis Harrington Short Film Collection, available thru Flicker Alley.
mykindofimages:

Fragment of Seeking (1946) and The Wormwood Star (1955).
From The Curtis Harrington Short Film Collection, available thru Flicker Alley.
mykindofimages:

Fragment of Seeking (1946) and The Wormwood Star (1955).
From The Curtis Harrington Short Film Collection, available thru Flicker Alley.
mykindofimages:

Fragment of Seeking (1946) and The Wormwood Star (1955).
From The Curtis Harrington Short Film Collection, available thru Flicker Alley.
mykindofimages:

Fragment of Seeking (1946) and The Wormwood Star (1955).
From The Curtis Harrington Short Film Collection, available thru Flicker Alley.
mykindofimages:

Fragment of Seeking (1946) and The Wormwood Star (1955).
From The Curtis Harrington Short Film Collection, available thru Flicker Alley.

omarangulo:

One of the bots from hateparader appearing in the wanderer #comics #thewanderer #metascifi #manmachine #fightevilwithevil.com #comicart #artistforhire #artistsoninstagram #characterdesign

f-l-e-u-r-d-e-l-y-s:


Dream Girls of Ikenaga Yasunari   [池永康晟], (1965,Japan)



Using the simplicity of indian ink and linen canvas Ikenaga Yasunari has captured a simple serenity in the the faces of his female portraits.This calm sensuality is highlighted by the richness of their surroundings. Yasunari’s Japanese heritage has inspired a style of painting which is characteristic in his work. This ancient technique of Nihonga is a traditional Japanese artform using a Menso brush and ink. With this Yasunari has successfully captured an essence of the past with a pallet of muted tones , but  has injecting a modern twist to each piece with his use of pattern and cloth.



f-l-e-u-r-d-e-l-y-s:


Dream Girls of Ikenaga Yasunari   [池永康晟], (1965,Japan)



Using the simplicity of indian ink and linen canvas Ikenaga Yasunari has captured a simple serenity in the the faces of his female portraits.This calm sensuality is highlighted by the richness of their surroundings. Yasunari’s Japanese heritage has inspired a style of painting which is characteristic in his work. This ancient technique of Nihonga is a traditional Japanese artform using a Menso brush and ink. With this Yasunari has successfully captured an essence of the past with a pallet of muted tones , but  has injecting a modern twist to each piece with his use of pattern and cloth.



f-l-e-u-r-d-e-l-y-s:


Dream Girls of Ikenaga Yasunari   [池永康晟], (1965,Japan)



Using the simplicity of indian ink and linen canvas Ikenaga Yasunari has captured a simple serenity in the the faces of his female portraits.This calm sensuality is highlighted by the richness of their surroundings. Yasunari’s Japanese heritage has inspired a style of painting which is characteristic in his work. This ancient technique of Nihonga is a traditional Japanese artform using a Menso brush and ink. With this Yasunari has successfully captured an essence of the past with a pallet of muted tones , but  has injecting a modern twist to each piece with his use of pattern and cloth.



f-l-e-u-r-d-e-l-y-s:


Dream Girls of Ikenaga Yasunari   [池永康晟], (1965,Japan)



Using the simplicity of indian ink and linen canvas Ikenaga Yasunari has captured a simple serenity in the the faces of his female portraits.This calm sensuality is highlighted by the richness of their surroundings. Yasunari’s Japanese heritage has inspired a style of painting which is characteristic in his work. This ancient technique of Nihonga is a traditional Japanese artform using a Menso brush and ink. With this Yasunari has successfully captured an essence of the past with a pallet of muted tones , but  has injecting a modern twist to each piece with his use of pattern and cloth.



f-l-e-u-r-d-e-l-y-s:


Dream Girls of Ikenaga Yasunari   [池永康晟], (1965,Japan)



Using the simplicity of indian ink and linen canvas Ikenaga Yasunari has captured a simple serenity in the the faces of his female portraits.This calm sensuality is highlighted by the richness of their surroundings. Yasunari’s Japanese heritage has inspired a style of painting which is characteristic in his work. This ancient technique of Nihonga is a traditional Japanese artform using a Menso brush and ink. With this Yasunari has successfully captured an essence of the past with a pallet of muted tones , but  has injecting a modern twist to each piece with his use of pattern and cloth.



f-l-e-u-r-d-e-l-y-s:


Dream Girls of Ikenaga Yasunari   [池永康晟], (1965,Japan)



Using the simplicity of indian ink and linen canvas Ikenaga Yasunari has captured a simple serenity in the the faces of his female portraits.This calm sensuality is highlighted by the richness of their surroundings. Yasunari’s Japanese heritage has inspired a style of painting which is characteristic in his work. This ancient technique of Nihonga is a traditional Japanese artform using a Menso brush and ink. With this Yasunari has successfully captured an essence of the past with a pallet of muted tones , but  has injecting a modern twist to each piece with his use of pattern and cloth.



f-l-e-u-r-d-e-l-y-s:


Dream Girls of Ikenaga Yasunari   [池永康晟], (1965,Japan)



Using the simplicity of indian ink and linen canvas Ikenaga Yasunari has captured a simple serenity in the the faces of his female portraits.This calm sensuality is highlighted by the richness of their surroundings. Yasunari’s Japanese heritage has inspired a style of painting which is characteristic in his work. This ancient technique of Nihonga is a traditional Japanese artform using a Menso brush and ink. With this Yasunari has successfully captured an essence of the past with a pallet of muted tones , but  has injecting a modern twist to each piece with his use of pattern and cloth.



f-l-e-u-r-d-e-l-y-s:


Dream Girls of Ikenaga Yasunari   [池永康晟], (1965,Japan)



Using the simplicity of indian ink and linen canvas Ikenaga Yasunari has captured a simple serenity in the the faces of his female portraits.This calm sensuality is highlighted by the richness of their surroundings. Yasunari’s Japanese heritage has inspired a style of painting which is characteristic in his work. This ancient technique of Nihonga is a traditional Japanese artform using a Menso brush and ink. With this Yasunari has successfully captured an essence of the past with a pallet of muted tones , but  has injecting a modern twist to each piece with his use of pattern and cloth.



f-l-e-u-r-d-e-l-y-s:


Dream Girls of Ikenaga Yasunari   [池永康晟], (1965,Japan)



Using the simplicity of indian ink and linen canvas Ikenaga Yasunari has captured a simple serenity in the the faces of his female portraits.This calm sensuality is highlighted by the richness of their surroundings. Yasunari’s Japanese heritage has inspired a style of painting which is characteristic in his work. This ancient technique of Nihonga is a traditional Japanese artform using a Menso brush and ink. With this Yasunari has successfully captured an essence of the past with a pallet of muted tones , but  has injecting a modern twist to each piece with his use of pattern and cloth.



f-l-e-u-r-d-e-l-y-s:


Dream Girls of Ikenaga Yasunari   [池永康晟], (1965,Japan)



Using the simplicity of indian ink and linen canvas Ikenaga Yasunari has captured a simple serenity in the the faces of his female portraits.This calm sensuality is highlighted by the richness of their surroundings. Yasunari’s Japanese heritage has inspired a style of painting which is characteristic in his work. This ancient technique of Nihonga is a traditional Japanese artform using a Menso brush and ink. With this Yasunari has successfully captured an essence of the past with a pallet of muted tones , but  has injecting a modern twist to each piece with his use of pattern and cloth.

f-l-e-u-r-d-e-l-y-s:

Dream Girls of Ikenaga Yasunari   [池永康晟], (1965,Japan)

Using the simplicity of indian ink and linen canvas Ikenaga Yasunari has captured a simple serenity in the the faces of his female portraits.This calm sensuality is highlighted by the richness of their surroundings. Yasunari’s Japanese heritage has inspired a style of painting which is characteristic in his work. This ancient technique of Nihonga is a traditional Japanese artform using a Menso brush and ink. With this Yasunari has successfully captured an essence of the past with a pallet of muted tones , but  has injecting a modern twist to each piece with his use of pattern and cloth.

(via holespoles)

cromosoma3:

Fellini’s Satyricon on broken screen.

highlandvalley:

rocketumbl:

士郎正宗

最後の二枚は同人版BLACK MAGICが出典かなあ。青心社版ではなかったページのような。ともかく下二枚とそれ以外では書かれた時代がすげー離れている。
highlandvalley:

rocketumbl:

士郎正宗

最後の二枚は同人版BLACK MAGICが出典かなあ。青心社版ではなかったページのような。ともかく下二枚とそれ以外では書かれた時代がすげー離れている。
highlandvalley:

rocketumbl:

士郎正宗

最後の二枚は同人版BLACK MAGICが出典かなあ。青心社版ではなかったページのような。ともかく下二枚とそれ以外では書かれた時代がすげー離れている。
highlandvalley:

rocketumbl:

士郎正宗

最後の二枚は同人版BLACK MAGICが出典かなあ。青心社版ではなかったページのような。ともかく下二枚とそれ以外では書かれた時代がすげー離れている。
highlandvalley:

rocketumbl:

士郎正宗

最後の二枚は同人版BLACK MAGICが出典かなあ。青心社版ではなかったページのような。ともかく下二枚とそれ以外では書かれた時代がすげー離れている。
highlandvalley:

rocketumbl:

士郎正宗

最後の二枚は同人版BLACK MAGICが出典かなあ。青心社版ではなかったページのような。ともかく下二枚とそれ以外では書かれた時代がすげー離れている。

highlandvalley:

rocketumbl:

士郎正宗

最後の二枚は同人版BLACK MAGICが出典かなあ。青心社版ではなかったページのような。ともかく下二枚とそれ以外では書かれた時代がすげー離れている。

(via fanta-z)